Featured Image: Shield, collected from Rockingham Bay by John Ewen Davidson in 1866-68, 99.8 x 42.5 cm. British Museum. Oc.7696. As part of the extensive collection of Australian Indigenous artefacts at the British Museum, the Rockingham bay rainforest shield tells a deeply divisive story of the meeting of cultures, and the making and undoing of […]Read more "The Lives of Objects and why Intercultural Exchange is Nothing New"
Main image: Installation view of ‘International Congress of African Culture’, 1962, a pan-African exhibition at the Rhodes National Gallery, Salisbury, Rhodesia (now Zimbabwe), which set a precedent for ‘Magiciens de la terre’, the Pompidou Centre, Paris, 1989, an exhibition frequently featured in my research. Courtesy: National Gallery of Zimbabwe, Harare In the past few years, […]Read more "Curation, Exhibition-Making and the Construction of Perspective"
“Mind-map” exercise I did ala James Elkins’ ‘Stories of Art’ (which, by the way is an absolutely fantastic and fun read – highly recommended!). This maze is the conceptualisation of my trajectory learning about and encountering art from kindergarten through Master degree. More than just a mapping of histories and the shaping of my particular […]Read more "STORIES OF ART"
This particular write-up was a favourite of mine last year. This is the result of a few musings regarding Turner’s controversial depiction of the slave trade and how poetry or other forms of art can highlight certain historical and epistemological shortcomings. The topic drove home how history is written and re-written with a lacklustre examination […]Read more "“The Slave Ship” and the ghosts that reside"