Debates in Art History (part 1): THE SUBLIME

Definitions of the term ‘sublime’ has undergone a multitude of fluctuations and scholarly influences since the Greek work Perì hýpsous, attributed to Cassius Longinus sometime in the 1st-3rd century AD. Through the study of the origins, meanings and various uses of the term sublime since Longinus, it is thought that its contemporary interpretation, in relation […]

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PONDERING OUR FUTURE – Nostalgia as a Method of Display

As explored in the exhibition HUMAN +: The Future of Our Species, 2015-16. Pondering Our Future – Nostalgia as a Method of Display As explored in the exhibition HUMAN +: The Future of Our Species, 2015-16 Exhibitions like HUMAN + that intend to shed light upon the complications that arise in the face of human […]

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This particular essay is quite special to me. It marks the moment that I truly fell in love with modern art and abstraction. Important to note here is that at the time I wrote this (during the second year of my undergraduate degree), I had not yet come to know of the female artist Hilma af […]


“The Slave Ship” and the ghosts that reside

This particular write-up was a favourite of mine last year. This is the result of a few musings regarding Turner’s controversial depiction of the slave trade and how poetry or other forms of art can highlight certain historical and epistemological shortcomings. The topic drove home how history is written and re-written with a lacklustre examination […]

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A Surrogate For A Real Fucking Experience

Ed Atkins, Warm, Warm, Warm Spring Mouths, 2013 Photography by @amsterdamant // Since my first puzzled encounter with Ed Atkins’ work at the Serpentine last summer, his pieces have slowly started to creep up on me, lingering in my mind. His Recent Ouija exhibition at the Stedelijk museum in Amsterdam firmly placed him among my favourite provocateurs […]

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